Index

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rules-header-fullA notebook for fiction writers and aspiring novelists. One editor’s perspective.

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Welcome to the blog!
……Here’s what’s what.

My name is Dave Workman. I’m an acquisitions and content editor for Muse Harbor Publishing. I began writing Rules of Engagement for beginning (or curious) writers, based on what I perceive to be fundamental obstacles that many of us confront when starting, or struggling through, a new novel. Perhaps I can offer useful advice—or maybe not—although I certainly know what excites me as a reader, and what excites me as an editor who accepts or rejects manuscripts. Thus, these following notes may be worth a look.

1. Good Writing, Bad Advice.
Rule #1: Finish your book.
Rule #2: Don’t listen to anybody if the advice doesn’t resonate.

2. Simple, But Exciting (Part 1)
Rule #7: Write in clear, precise sentences.
Rule #8: Keep your characters moving. (Either push your characters toward drama or pull them away again.)

3. Simple, But Exciting (Part 2)
Rule #5: Continually scene set, character build or move the plot forward. (Nothing else matters.)

4. Exciting, But Simple.
Rule #3. Always write for yourself.

5. Active Writing (Part 1): Active Voice.
Rule #20: Don’t extend a scene past the “just enough” point.
Rule #12: Write only what matters. Leave out the boring parts.

6. Active Writing (Part 2): Active Language (Grammar).
Rule #6: The Jumping Cow Rule (Active vs. Passive Voice).

7. Active Writing (Part 3): Active Composition (Plotting)
Rule #14: Develop your story from A-to-Z. (Know where you’re going.)

8. Where To Start.
Rule #11: Get acquainted with your story. (Discover your core elements.)

9. Perfection.
Rule #25: Perfection in writing doesn’t exist.
Rule #4: Do the best you can.

10. Action/Reaction.
Rule #10: In fiction, for every action, provide a reaction.

11. Show, Don’t Tell.

12. What’s Your Intention?
Rule #29: Your characters may remain elusive or distracted, but your prose must remain clear and concise.

13. Focus on the Now.
Rule #16: Focus on the now. (Stay in the moment.)

14. Hammering It Out.
Rule #28: Write one thought at a time. (And don’t worry about the rest.)

15. My Favorite Films About Writers and Writing (A personal aside.)

16. Finding Your Voice (Part 1) Find a style and stick with it.
Rule #9: A great novel is not so much what you tell, but how you tell it. That’s a writer’s style.

17. Finding Your Voice (Part 2): Do your characters speak to you?
Rule #12: Shut up and let your characters tell their own stories.

18. Finding Your Voice (Part 3). Point of View: Narrative vs. Authorial Voice.

19. Basic Plotting (Part 1): Right Brain (creative thinking) vs. Left Brain (critical thinking). Unfortunately, we need both halves.

20. Basic Plotting (Part 2): Plot Ahead.

21. Basic Plotting (Part 3): It’s all about the drama, dahlings.
Rule #27. Make drama your novel’s constant companion.

22. Action vs. Information: The Oil & Water of Novel Writing.
Rule #26: Don’t mix Action and Information scenes. Keep these two incompatible concepts (relatively) separate.

23. Dialogue (Part 1): Writing Great Dialogue: An Absolute Necessity.
Rule #30: Create dialogue that—like narration—accomplishes one of three specific goals: 1) Sets a scene; 2) Develops a character or; 3) Moves the plot forward.

24. Dialogue (Part 2): Writing Great Dialogue: Balancing reality and fiction.
Rule #39: Never reveal too much relevant information too quickly.
Rule #39A: …but relevant or not, always keep dialogue witty and interesting.

25. Dialogue (Part 3): Writing Great Dialogue isn’t about epic plotting. It’s simpler than that. Rule #41: Great fiction isn’t about ‘what happens.’ It’s about ‘what happens to people.’ 

26. Dialogue (Part 4): Dialogue vs. Monologue. The key to precise communication with your readers is knowing when to use what.

27. Dialogue (Part 5): Writing Great Dialogue in First Person (POV).
Rule #45: First Person POV readers aren’t expecting absolute authenticity so much as absolute personality.

28. Dialogue (Part 6A): The Q. & A. page.
Rule #48: Don’t use dialogue as an alternative to directly depicting action or drama.

29. Dialogue (Part 6B): The Q. & A. page (Cont’d).

30. Dialogue (Part 7): Attribution. The ‘he said/she said’ of writing dialogue.
Rule #55: Don’t just write dialogue, write active dialogue. Avoid ‘talking heads’ scenes by maintaining visual stimulation or plot momentum during scenes of intense dialogue.
In other words, if you depict two characters attempting to diffuse a ticking time bomb with thirty-seconds remaining on the timer, they don’t stop diffusing the bomb to carry on a conversation.

31. Dialogue (Part 8): When not to use dialogue.
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